French portrait engraving of the XVIIth and XVIIIth centuries (1910)
Thomas, Thomas Head, 1881- · London : Bell · leaf 193
w-ever ; it was followed by nearly every portrait engraver ofthe XVII Ith century. At times it is as simple in arrange-ment, and the frame almost as severe in design, as in theXVIIth century. But more often it is influenced by thedecorative impulse of the XVII Ith century. The frameis made larger… … c Jean .\.ill/ ./•■ I .Itll • htilntiur OrJiii.m . /,t.; // ■Wry/^.■y.« ./, France- • •/ >/t.y>.j</tr\- /•r.■/.•: in ./, ,\ ,i,/,ii,i, . >\ . ■«,//,• THE FOLLOWERS OF THE DREVETS 99 covered with draperies or allegorical attributes; very com-monly given a cartouche at the base instead of…
Engraving, French · Engravers · Portraits, French · Portrait prints, French
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![An illustration from A descriptive and illustrated catalogue of 150 paintings by old masters of the Dutch, Flemish, German, Italian, Spanish and French schools [electronic resource] (1911)](https://img.insideoutlibrary.com/img/200/ia-frick-31072002097360-181-133@90.webp)
