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The genesis of art-form; an essay in comparative æsthetics showing the identity of the sources, methods, and effects of composition in music, poetry, painting, sculpture and architecture (1893)

Raymond, George Lansing, 1839-1929 · New York : G. P. Putnam's Sons · leaf 306

An illustration from The genesis of art-form; an essay in comparative æsthetics showing the identity of the sources, methods, and effects of composition in music, poetry, painting, sculpture and architecture, 1893, leaf 306
rapplied to separate parts of objects or to their wholes, toa single leaf or to a cluster of leaves, to a branch or to acluster of branches, to a tree or to a grove, to a particularobject that may be examined near at hand, or to generaloutlines described by trees and rivers in the distance.The same… … FIG. 91—CURVE EXEMPLIFYING GRADATION.See pages 282 and 284. It is well to notice, too, that, as a rule, the lines ofcurvature in natural objects are not perfectly circular, anymore than the lines of radiation or parallelism are per-fectly straight. On the contrary, the most common out-line in…

Aesthetics

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