Murray, A. S. (Alexander Stuart), 1841-1904 · London : Seeley and Co. ; New York : Macmillan · leaf 77
Fig. 27.—Marble Statue. Apollo Sauroctonos. Louvre. foil to the delicate modelling of the bodily forms. And when we thinkof it, that was a great change from the treatment of drapery in theParthenon sculptures, where the presence of drapery is never accidental,but always shares in the dignity and… … FiG. 28.—Apollo. From Tkessaly. British Museu?n. much as it is a special study of a draped figure. Another point is theeasy attitude of the Hermes, suggestive almost of indolence, or at allevents of a happy nature. In others of the statues by Praxiteles, known
Bronzes, Greek
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