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The study and criticism of Italian art (1916)

Berenson, Bernard, 1865-1959 · London, G. Bell and sons, ltd. · leaf 183

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modelling is bumpy and hardwith a dizzy confusion of planes, his drawing con-temptible, his draperies unfunctional, his feelingmawkish. It is only fair to invite comparison of theChild in his Bergamo panel with the one in theVienna Madonna, for the first is little else thanthe other reversed. I do… … [Spoleto. MADONNA ENTHRONED AND ANTONELLOS ALTAR-PIECE 109 other. The relation is too obviously that of a brain-less copy to a creation. Antonellos best known Sicilian follower was hisown nephew Antonio de Saliba. Although he wasthe pupil of his cousin Jacopo, we should neversuspect it, for, either…

Art, Italian · Painting, Italian

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