The study and criticism of Italian art
A volume of connoisseurship essays on Italian painting by Bernard Berenson, published in London by G. Bell and Sons in 1916 for scholars, collectors and dealers attributing Renaissance pictures. The plates are halftone photographs of paintings, mostly Venetian and Tuscan Madonna and Child panels, saints under architectural niches and altarpiece wings, printed grey and soft-edged with credit lines to Venetian photographers in the corners.
