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The study and criticism of Italian art (1916)

Berenson, Bernard, 1865-1959 · London, G. Bell and sons, ltd. · leaf 21

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hers,but next came the Madonna with St. Anne, andhere too I adored but failed to understand, until Iunderstood and ceased to adore. Behind the post-hypnotic suggestions I was endeavouring to followout, something in me rebelled against the arrange-ment and the expression. The Blessed Virgin,… … [Louvre, Paris. THE BAPTIST LEONARDO 5 was doing. Seated on no visible or inferable supportshe in turn on her left knee alone sustained the rest-less weight of a daughter as heavy as herself. Thesilhouette, moreover, was unavoidably confused, and,but for the grace of incorruptible European…

Art, Italian · Painting, Italian

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