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The study and criticism of Italian art (1916)

Berenson, Bernard, 1865-1959 · London, G. Bell and sons, ltd. · leaf 229

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it formed thecentral composition.1 One may then be asked toexplain how it is if Carpaccio inscribed the date in1510 he did not sign, as he invariably did from 1502on, Carpathius, but, as in all the other St. Ursulacanvases, Carpatio. I can only suggest that the artist did so deliber-ately for… … uu < u pio b

Art, Italian · Painting, Italian

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