Inside Out Library · Explore

The study and criticism of Italian art (1903)

Berenson, Bernard, 1865-1959 · London : G. Bell · leaf 172

An illustration from The study and criticism of Italian art, 1903, leaf 172
ined to the habits of Bartolommeo Vivarini,and incapable of shaking them off even when makingevery effort to imitate Mantegna. Just who he was,what name he had, is a problem still to be deter-mined. Judging from the dates of those works ofMantegna and of B. Vivarini that these Madonnas most… … If0Hgllt07l photo] \PaiLciatichi-Xiinenes Collection, Florence A PI ETA wm^^^f^^^^w^w^mm^^^^^^ f^r^^-w^i^^mmm^m- VENETIAN PAINTING lOI III. To Bartolommeo Vivarini two works are attri-buted, both school pictures, however. Mr, G.McNeil Rushforths Madonna (No. 33) seemsoriginally to have had a gold…

Art, Italian · Painting, Italian

Internet Archive · Getty Research Institute · Public Domain Mark 1.0. Free to use for anything.

More pictures from The study and criticism of Italian art

More like this