Berenson, Bernard, 1865-1959 · London : G. Bell · leaf 58
ggio was sixteen or seventeen, and the samesubject as treated in the Night, when he wasthirty-five, shows that although he had made im-mense technical advances in the later picture, hehad lost that intense and poetical religious feelingwhich made the early picture so impressive. Or,again, the Rest… … Hollyerplwto\ [Mj: A. H. Benson CHRIST TAKING LEAVE OF HIS MOTHER ON CORREGGIO 37 live the scene before painting it; in the other, thathe is reciting it Hke a lesson well learned. Evenin the St. Francis he had lost something of thereligious imagination that he had when at workon the picture of…
Art, Italian · Painting, Italian
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