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The study and criticism of Italian art (1903)

Berenson, Bernard, 1865-1959 · London : G. Bell · leaf 62

An illustration from The study and criticism of Italian art, 1903, leaf 62
e same feeling that we find in the Leda, the•* lo, or the Danae, even the face of the Madonnabeing very much like what the Leda must havebeen. Like all these masterpieces, it is full of thathigh-strung sensuous emotion which inevitably sug-gests the music of violins. But of course such move-ment… … THE FOURTH CENTENARY OFCORREGGIO^ Four centuries have elapsed since the birth of Cor-reggio. Parma is celebrating the event by industrialexhibitions and agricultural shows. We may makea more appropriate use of the occasion by consideringCorreggios real place in art—a task especially…

Art, Italian · Painting, Italian

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