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The study and criticism of Italian art (1903)
Berenson, Bernard, 1865-1959 · London : G. Bell · leaf 84
,-^\ (f \ ^ © … >*^.;-\V<- AMICO DI SANDRO 49 Maria Nuova panels; but the modelling is less hard,and the outlines begin to be a little blurred andsomewhat sketchy. Note also the steep shoulderof the Madonna. The folds are simpler, indicatingthat the painter, closely following Botticelli, hismodel, was…Art, Italian · Painting, Italian
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