A history of painting in Italy : Umbria, Florence and Siena from the second to the sixteenth century (1903)
Crowe, J. A. (Joseph Archer), 1825-1896, Cavalcaselle, G. B. (Giovanni Battista), 1820-1897, Strong, S. Arthur (Sandford Arthur), 1863-1904, De Nicola, G, Borenius, Tancred, 1885-1948, Douglas, R. Langton (Robert Langton), 1864-1951 · London : J. Murray · leaf 200
ndsubservience of pagan models to Christian subject and thoughtthere is still evidence of fancy. Talent is shown in the expressionof the ruder forms of passion, and this contrasts with a certaincold and imperfect imitation of classic models, of short andherculean build. Niccola, however, seems…
Painting, Italian
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