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A new history of painting in Italy, from the II to the XVI century; (1908)

Crowe, J. A. (Joseph Archer), 1825-1896, Cavalcaselle, G. B. (Giovanni Battista), 1820-1897, Hutton, Edward, 1875-1969 · London, J. M. Dent; New York, E. P. Dutton · leaf 434

An illustration from A new history of painting in Italy, from the II to the XVI century;, 1908, leaf 434
theaction of the leg breaking the back of the beast. The monochrome framing and mouldings are very choice, and look as if theywere real, an effect due at once to modelling and a judicious application of per-spective. The gilt rosettes and the arms in the centre of the ceiling are the onlyparts in…

Painting, Italian

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