The art of painting, in all its branches : methodically demonstrated by discourses and plates, and exemplified by remarks on the paintings of the best masters, and their perfections and oversights laid open (1738)
Lairesse, Gérard de, 1640-1711, Fritsch, John Frederick · London : Printed for the author, and sold by J. Brotherton ... [and 17 others] · leaf 417
Chap. it. Of Landskips, 197 Having thus largely handled this Point, I mall confirm it by fomefigural Examples refpe£ting what has been before faid, in order to fhewwhat Sort of Paintings and Ornaments are moft proper in fuch Placeswhere we ufually reprefent any thing, and which muft govern acareful…
Painting · Art · Composition (Art)
Internet Archive · Getty Research Institute · Public Domain Mark 1.0. Free to use for anything.
![An illustration from Architectura curiosa nova, exponens 1. Fundamenta hydragogica, indolemq[ue] aquæ, aëris interventu in altum levandæ. 2. Varios aquarum ac salientium fontium lusus per varia spectatu jucunda epistomiorum seu siphonum genera. 3. Magnum amnissimorum fontium, machinarumq[ue] aquæductoriarum sumtu magno exstructarum, ac per Italiam, Britanniam, Germaniam &c. visendarum, numerum. 4. Specus artificiales sumtuosissimas, cum plerisq[ue] principum europæorum palatiis, hortis, aulis; nec non præcipuis monasteriis atq[ue] arcibus. 5. Cum auctario figurarum elegantissimarum, ad hortorum topiaria vario ductù dividenda, nec non conclavium laquearibus ac pavimentis segmentandis, itemq[ue] labyrinthis construendis, adhibendarum. Omnia 200 æri incisis... descripta (1664)](https://img.insideoutlibrary.com/img/200/ia-architecturacuri00bock-244-138.webp)
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