A practical treatise on painting : in three parts ; consisting of hints on composition, chiaroscuro, and colouring ; the whole illustrated by examples from the Italian, Venetian, Flemish, and Dutch schools (1827)
Burnet, John, 1784-1868 · London : J. Carpenter · leaf 108
FuMsked July 1.182ff. LIGHT AND SHADE IN PAINTING. 17 The dark manner of Rembrandt has advantages over every other, if keptwithin due bounds, as it enables the painter to give a rich tone to hiscolours without their appearing heavy, which more feeble backgroundswould not admit of, unless the…
Painting
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