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The grammar of painting and engraving (1874)

Blanc, Charles, 1813-1882 · New York : Hurd and Houghton ; Cambridge [Mass.] : Riverside Press · leaf 169

An illustration from The grammar of painting and engraving, 1874, leaf 169
em and are seizedwith religious terror, for in the place where they hadjust heard his voice and broken bread with him, theysee a supernatural light that has replaced the van-ished God. The painter who has imitated the conflict of dayand night has still to imitate the presence of air andthe depths… … THE SUPPER AT KMMAUS. BY RKMBRANnT. from the eye, undergo a perceptible diminution, andat a great distance are neither light nor shadow, theyvanish in the tone of the air. Leonardo da Vinci has PAINTING. H3 proved, by a geometrical figure, that this diminutioncan be measured. We may, moreover,…

Painting · Engraving

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