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The theory and practice of landscape painting in water-colours illustrated by a series of twenty-six drawings and diagrams in colours and numerous woodcuts (1885)

Barnard, George, 1807-1890 · London, New York, George Routledge and Sons · leaf 114

An illustration from The theory and practice of landscape painting in water-colours illustrated by a series of twenty-six drawings and diagrams in colours and numerous woodcuts, 1885, leaf 114
some middle object. One must be ren-dered subservient to the other; other-wise two points of view will be pro-duced, dividing the interest, and de-teriorating the effect. (Vide Fig. 4.)When it is desired to rendersome particular object important, itis made to occupy more of the wholespace of the… … Fig. 4. person the same importance as one of a larger size, makes the canvassmaller, and causes the head to rise nearly to the top of it, while the feetare placed near the bottom; or some accidental circumstance—such as astep, a bank, or any higher ground—may be taken advantage of to elevatethe…

Landscape painting · Watercolor painting

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