The theory and practice of landscape painting in water-colours. Illustrated by a series of twenty-six drawings and diagrams in colours, and numerous woodcuts (1871)
Barnard, George, 1807-1890 · London : George Routledge & Sons · leaf 106
ted by a knowledge of the effects of chiaroscuro and the useof colour. Importance is also given to any object by a repetition of theform or colour, but always in a smaller or fainter degree. Thus, in theretreating columns of a building, the eye and mind are gradually impressedwith the idea of the… … 84 LANDSCAPE-PAINTING. to so small a space ; and the attention, when recalled to the principalobject near at hand, is proportionately augmented. Thus clouds that areimmediately overhead may have additional interest given to them hy otherswhich may he said to echo their shape and colour; and in some…
Landscape painting · Watercolor painting
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