The theory and practice of landscape painting in water-colours illustrated by a series of twenty-six drawings and diagrams in colours and numerous woodcuts (1885)
Barnard, George, 1807-1890 · London, New York, George Routledge and Sons · leaf 126
nts are placed in opposition toothers of different power, either lighter or darker, they appear darker orlighter by contrast; and this to such an extent, that in an instance wherethe shadow of a projecting board was thrown of six different degrees ofstrength, from six burners placed on a wall, the…
Landscape painting · Watercolor painting
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