The theory and practice of landscape painting in water-colours illustrated by a series of twenty-six drawings and diagrams in colours and numerous woodcuts (1885)
Barnard, George, 1807-1890 · London, New York, George Routledge and Sons · leaf 126
Fig. 4. Fig. 5. Figs. 2 and 3. a faint tint, they increase gradually to anextreme depth, and then decrease again,great variety of tone is obtained, remind-ing us of the increase and diminution ofsound. By taking as a ground for these tints some middle tint of a neutraltone, and merely indicating…
Landscape painting · Watercolor painting
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