The theory and practice of landscape painting in water-colours illustrated by a series of twenty-six drawings and diagrams in colours and numerous woodcuts (1885)
Barnard, George, 1807-1890 · London, New York, George Routledge and Sons · leaf 131
ys more brilliant when opposed to each other, the greatest dark may frequently be found in close proximity to the most brilliant light, thus creating a most attractive point in the picture. (Vide Fig. 13.) This must not, however, be followed too closely, as occasionally it will be quite sufficient… … LIGHT AND SHADF, OR CHIAROSCURO. 101
Landscape painting · Watercolor painting
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