The theory and practice of landscape painting in water-colours illustrated by a series of twenty-six drawings and diagrams in colours and numerous woodcuts (1885)
Barnard, George, 1807-1890 · London, New York, George Routledge and Sons · leaf 138
ts of the picture, greatertone, since these must be of less power than the reflections, either in wateror polished surfaces, such as glossy leaves after rain, &c. See Chapter I.Section I. On the Prismatic Colours. Great variety may be given to studies of large objects near at handby the way in… … Fig. 22.
Landscape painting · Watercolor painting
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