The theory and practice of landscape painting in water-colours. Illustrated by a series of twenty-six drawings and diagrams in colours, and numerous woodcuts (1871)
Barnard, George, 1807-1890 · London : George Routledge & Sons · leaf 130
ts of the picture, greatertone, since these must be of less power than the reflections, either in wateror polished surfaces, such as glossy leaves after rain, &c. See Chapter I.Section I. On the Prismatic Colours. Great variety may be given to studies of large objects near at handby the way in… … Fig. 22. 108 LANDSCAPE-PAINTING. of different local colours ; a small gleam of sunshine on the door and figures about it, though suf-ficient to create in-terest, is not enoughto compete with thatof the sky. Whenmasses of light areseparated from eachother, or when thelight ends too abrupt-ly, the…
Landscape painting · Watercolor painting
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