The theory and practice of landscape painting in water-colours illustrated by a series of twenty-six drawings and diagrams in colours and numerous woodcuts (1885)
Barnard, George, 1807-1890 · London, New York, George Routledge and Sons · leaf 140
LIGHT AND SHADE, OR CHIAROSCURO. 109 … whole mass being in this instance relieved from the bright light in thesimplest manner, giv-ing at once quietness*firmness, breadth, andsolidity to the picture.The sun being behindthe ruin, his beamsi appear to break thestraight edge of thewalls, and, spreadingover the surroundingparts, give a…
Landscape painting · Watercolor painting
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