The theory and practice of landscape painting in water-colours illustrated by a series of twenty-six drawings and diagrams in colours and numerous woodcuts (1885)
Barnard, George, 1807-1890 · London, New York, George Routledge and Sons · leaf 248
broken ground, afford, the student will find that the foreground becomesa most interesting part of his picture. He will, however, look upon itonly as a portion, and see that it is not divided from the rest by too suddenan alteration in colour, light and shade, or treatment. The parts must… … LTHOUGH ,mtmM>^ tne Land-scape-painter may, in most in-stances, dispense with the strictrules of architecture, yet it ishighly requisite that he shouldstudy with some degree of at-tention the style and characterof the buildings which he mayhave occasion to introduce intohis pictures. Generally…
Landscape painting · Watercolor painting
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