The theory and practice of landscape painting in water-colours. Illustrated by a series of twenty-six drawings and diagrams in colours, and numerous woodcuts (1871)
Barnard, George, 1807-1890 · London : George Routledge & Sons · leaf 222
broken ground, afford, the student will find that the foreground becomesa most interesting part of his picture. He will, however, look upon itonly as a portion, and see that it is not divided from the rest by too suddenan alteration in colour, light and shade, or treatment. The parts must… … LTIIOUGH the Land-scape-painter may, in most in-stances, dispense with the strictrules of architecture, yet it ishighly requisite that he shouldstudy with some degree of at-tention the style and characterof the buildings which he mayhave occasion to introduce intohis pictures. Generally speak-ing,…
Landscape painting · Watercolor painting
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