The theory and practice of landscape painting in water-colours illustrated by a series of twenty-six drawings and diagrams in colours and numerous woodcuts (1885)
Barnard, George, 1807-1890 · London, New York, George Routledge and Sons · leaf 344
ken. In all the colours which are observed in nature onfigures, there will be some modification produced by simultaneous contrastand by aerial perspective. This effect must be imitated either by laying onthe general tone first, or bypassing one transparent tone over another : thusall the primitive… … . - *
Landscape painting · Watercolor painting
Internet Archive · Getty Research Institute · Public Domain Mark 1.0. Free to use for anything.
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