The theory and practice of landscape painting in water-colours. Illustrated by a series of twenty-six drawings and diagrams in colours, and numerous woodcuts (1871)
Barnard, George, 1807-1890 · London : George Routledge & Sons · leaf 302
en. In all the colours which are observed in nature onfigures, there will be some modification produced by simultaneous contrastand by aerial perspective. This effect must be imitated either by laying onthe general tone first, or by passing one transparent tone over another : thusall the primitive… … MIOaTOH, 11UUS. PLATE SJ FIGURES AND ANIMALS. 247 this colour exceedingly valuable by using it seldom. In the sketch of twochildren crossing a rustic bridge (page 252), an instance is given where thenecessity to seize the position or attitude at the moment it strikes you isevident. The children…
Landscape painting · Watercolor painting
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