The theory and practice of landscape painting in water-colours illustrated by a series of twenty-six drawings and diagrams in colours and numerous woodcuts (1885)
Barnard, George, 1807-1890 · London, New York, George Routledge and Sons · leaf 364
h of colour, and place them side by side, the middle ofeach shadow or strip will not be altered, but the edge next the lighter tintwill appear darker, and that in contact with the darker tint lighter; thusproducing an effect of concavity in each, while the whole will resemble afluted column, with… … J 0
Landscape painting · Watercolor painting
Internet Archive · Getty Research Institute · Public Domain Mark 1.0. Free to use for anything.
