The theory and practice of landscape painting in water-colours. Illustrated by a series of twenty-six drawings and diagrams in colours, and numerous woodcuts (1871)
Barnard, George, 1807-1890 · London : George Routledge & Sons · leaf 320
h of colour, and place them side by side, the middle ofeach shadow or strip will not be altered, but the edge next the lighter tintwill appear darker, and that in contact with the darker tint lighter; thusproducing an effect of concavity in each, while the whole will resemble afluted column, with… … CONTRASTS OF COLOUR. 263 with the additional effect of the complementary colours produced by theircontrast in juxtaposition! The next description of contrast claiming our attention is the successive:this refers to the complementary, or accidental, colours which appear whenthe eye has been fatigued…
Landscape painting · Watercolor painting
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