The theory and practice of landscape painting in water-colours illustrated by a series of twenty-six drawings and diagrams in colours and numerous woodcuts (1885)
Barnard, George, 1807-1890 · London, New York, George Routledge and Sons · leaf 56
g THE HARMONY AND NATURAL CONTRASTS OF COLOURS. 33 but little light, and appearing to belong more to the shadows than thelight; and thus its individuality is soon lost in the distance, where itchanges into blue or bluish gray. As this colour presents the greatestdiscord to blue, in order to produce…
Landscape painting · Watercolor painting
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