The theory and practice of landscape painting in water-colours. Illustrated by a series of twenty-six drawings and diagrams in colours, and numerous woodcuts (1871)
Barnard, George, 1807-1890 · London : George Routledge & Sons · leaf 50
g, reflecting THE HARMONY AND NATURAL CONTRASTS OF COLOURS. 33 but little light, and ajmearing to belong more to the shadows than thelight; and thus its individuality is soon lost in the distance, where itchanges into blue or bluish gray. As this colour presents the greatestdiscord to blue, in… … D LANDSCAPE-PAINTINO.
Landscape painting · Watercolor painting
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