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The theory and practice of landscape painting in water-colours illustrated by a series of twenty-six drawings and diagrams in colours and numerous woodcuts (1885)

Barnard, George, 1807-1890 · London, New York, George Routledge and Sons · leaf 72

An illustration from The theory and practice of landscape painting in water-colours illustrated by a series of twenty-six drawings and diagrams in colours and numerous woodcuts, 1885, leaf 72
h-French is differentfrom French-French, it is better than no French at all. Manner—Style. (See Chapter IV. Section XL) Hatching, Stippling, Scumbling, Glazing, Dragging. (See Modeof Working, Chapter III. Section IV.) High Lights. (See Light and Shade, Chapter III. Section II.) Chiaroscuro, or… … ^E order in which Pigments areplaced in the Box or on the Paletteis of great importance, and there-x fore worthy of our first attention; for a judicious and exact arrangement of colours in respect to the varioushues and tints affords considerable assistance in the practice of the art. Thepigments…

Landscape painting · Watercolor painting

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