The theory and practice of landscape painting in water-colours. Illustrated by a series of twenty-six drawings and diagrams in colours, and numerous woodcuts (1871)
Barnard, George, 1807-1890 · London : George Routledge & Sons · leaf 66
nch is differentfrom French-French, it is better than no French at all. Manner—Style. (See Chapter IV. Section XL) Hatching, Stippling, Scumbling, Glazing, Dragging. (See Modeof Working, Chapter III. Section IV.) High Lights. (See Light and Shade, Chapter III. Section II.) Chiaroscuro, or light and… … for a judicious and exact arrangement of colours in respect to the varioushues and tints affords considerable assistance in the practice of the art. Thepigments should always occupy the same positions in relation to each other,in order that there may be no hesitation in dipping the brush into the…
Landscape painting · Watercolor painting
Internet Archive · Getty Research Institute · Public Domain Mark 1.0. Free to use for anything.
