Handbook of light and shade, with especial reference to model drawing (1880)
Merrifield, Mary P. (Mary Philadelphia), 1804 or 1805-1889 · London : George Rowney & Co. · leaf 28
he same tone ordegree of darkness; the apparent darkness at the edgeis therefore merely the effect of contrast. There is alsoanother peculiarity attending this figure, namely, thatit appears to represent a grooved surface like that of afluted pillar. It is necessary to be aware of thedeceptive… … LIGHT AND SHADE. 21 the light and opposite to that which was most stronglyilluminated in Fig. 3. The top receives the high light,the side next the eye is still in half shadow, and thethird side is darker than the second, while the shadowon the ground represents the extreme dark. It willalso be…
Shades and shadows in art · Drawing
Internet Archive · Getty Research Institute · Public Domain Mark 1.0. Free to use for anything.
![An illustration from Eyn schön nützlich Büchlin vnd Vnderweisung der Kunst des Messens mit dem Zirckel, Richtscheidt oder Linial : zu nutz allen Kunstliebhabern fürnemlich den Malern, Bildhawern, Goldschmiden, Seidenstikern, Steynmetzen, Scheinern auch allen Andern so sich der Kunst des Messens (Perspectiua zü latin gnant) zügebrauchen Lust haben : darin Man auch solche Kunst leichter dan ausz etzlichen hieuorgetruckten Büchern begreiffen vn lernen mag mit vil [i.e., 56] schönen darzü dienenden Figuren (1531)](https://img.insideoutlibrary.com/img/200/ia-eynschnntzlichbc00rodl-24-37.webp)
