The historic gallery of portraits and paintings; or, Biographical review: (1807)
London, Vernor, Hood, and Sharpe · leaf 283
ion to the obscu-rity of the line, and ideal forms to the vulgarity of hismodels. These words sunk deeper than Annibal expected,in the mind of Guido; soon prompted him to try theeffect: suavity became his aim. He sought it in design,in touch, in colour; to give durability to his tints, hebegan to…
Portraits · Biography · Painting
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![An illustration from The Odyssey of Homer. [Translated into English verse, by Pope, W. Broome, and E. Fenton; with notes by W. Broome.] (A general view of the Epic poem, and of the Iliad and Odyssey, extracted from Bossu. Postscript, by Mr Pope. Homer's Battle of the Frogs and Mice [translated by T. Parnell], corrected by Mr Pope.) (1725)](https://img.insideoutlibrary.com/img/200/bl-bl_001722934_5-64-1.webp)
