History of ancient, early Christian, and mediaeval painting (1906)
Woltmann, Alfred Friedrich Gottfried Albert, 1841-1880, Woermann, Karl, 1844-1933 · New York : Dodd, Mead & Co. · leaf 358
es bycoarse, ungradated patches of red, and the colouring is harsh and crude inspite of a body-colour of uniform impasto. The pictures are not more barbaric;han the Latin of the poetry. The Italians were not capable of working their own way out of thisrudeness of conception and execution. An… … Fig, 94. good models, it gave an impulse to original creation, and appears alwaysassimilated and transformed without having led to a bald imitation of foreignexamples. In Italy, however, matters stood otherwise, and foreign inline.,, es forthe present supplanted the native power of prodiu tion…
Painting
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