History of ancient, early Christian, and mediaeval painting (1906)
Woltmann, Alfred Friedrich Gottfried Albert, 1841-1880, Woermann, Karl, 1844-1933 · New York : Dodd, Mead & Co. · leaf 460
AEVAL PAINTING—FINAL PERIOD. 43i classical models, especially in their fine oval shapes and full symmetricalmouths. The eyes are not too narrow, but receive something of a pensive andtenderly pathetic expression by a slight drawing up of the under lid. Ducciosurpasses all Italian painters of his… … Fig. 11S repetition of the same situations. Full dramatic power Puccio did n< t p<His motives arc often timid and constrained where we look f6t resolute action,Still the subjects are independently thought out, and everywhere WC find headsand gestures full of deep feeling and expressiveness.…
Painting
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