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A history of Gothic art in England (1900)

Prior, Edward S. (Edward Schröder), 1852-1932 · London : G. Bell and Sons · leaf 131

An illustration from A history of Gothic art in England, 1900, leaf 131
thediameter, has a greater appearance of massivestrength than the square ; but conversely when theheight increases to six or seven times the diameter,the circular section gives an increasingly slenderexpression in comparison with square or octagon.In the northern art the mingling of the round… … 75 LINCOLN, St. HUGH S TRANSEPT, c. 1190. THE TRANSITION IN ENGLAND 3 of its arcadings, and in alliance with the ease and grace of the pointedarch so wrought on the window-scheme that its expansions grew to fill—as in William the Englishmans aisles at Canterbury and the easternclerestories of…

Architecture · Architecture, Gothic

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