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A history of Gothic art in England (1900)

Prior, Edward S. (Edward Schröder), 1852-1932 · London : G. Bell and Sons · leaf 288

An illustration from A history of Gothic art in England, 1900, leaf 288
of its ideal. So every capitalwas different ; there was no acquiescence in perfection, nor acceptanceof a model, and no copying of the one from the others. The mid-way crocket, most in evidence of a central type, andpreserving the greatest uniformity throughout, is that of the Ely quire,where the… … 20I. THE TREFOIL OF ELY QUIRE. themselves free, but preserve a distinct radiation from the centre; andbeing in two ranges the upper heads nod to the lower, but there is noactual coalescing of their leaflets. All along the valley of the Nene are variations mixed with this setEly type, generally with…

Architecture · Architecture, Gothic

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