Prior, Edward S. (Edward Schröder), 1852-1932 · London : G. Bell and Sons · leaf 329
(fig. 240) are suf-ficiently illustrative of thechange of feeling, which after1250 in English Art requiredthe soft modellinos of breadthto take the place of thetrenchant uprightness of theP u r b e c k monolith. TheCorfe mason was still tosupply Purbeck columns forthe richest EnoHsh Gothic inmany… … 240. LINCOLN. |;AV ni PRKSIIVTERV. 1 260. shadowed ami carried. The deep-cut accent of the first thirteenth-cen-tury masonr)- faded away before tlu- multiplied expressions of a decor-ative breadth. And in immediate sympathy with tliis shift of interest in the wall- Thus, lor the Eleanor cros.scs…
Architecture · Architecture, Gothic
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