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A history of Gothic art in England (1900)

Prior, Edward S. (Edward Schröder), 1852-1932 · London : G. Bell and Sons · leaf 332

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and this logical, if hardly fanciful, solution of the problem sufficedfor a hundred years, for the reason that their constructional openingwas lofty and narrow in proportion. The Westminster Abbey windows(see bay, p. 205) of i 250 are clearly of this likeness, but it does not followthat here was… … 243. SAI.ISIJUKV. CLOISTER, C. I 24O. ;i2 GOTHIC ART ment from the triforium of 1220 to the transept-window matching thetriforlum, and, we can hardly doubt, passing thus to the cloister arcades,and on to the chapter house windows (see fig. 253, p. 320). In indication of this simple connection with…

Architecture · Architecture, Gothic

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