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A history of Gothic art in England (1900)

Prior, Edward S. (Edward Schröder), 1852-1932 · London : G. Bell and Sons · leaf 36

An illustration from A history of Gothic art in England, 1900, leaf 36
, domed and sexpartite, lay the dominantmotive of Great French architecture: it developed this in its ownway, taking ideas from Burgundy, on the one hand, and from Normandyand Anjou, on the other—neither, at the time of this derivation, inpolitical union with the He de France. The two latter,… … The places givenare those nhosebuddings particularlyillustrate the periodof Transitional stylein England andFrance respectively. By Italics (with date)anterior Romanesquebuilding IS indicated. THF. arp:a ^ The map on this page must at once dispel by P^ilip AUn ^^ ^^^ ^^^^^^^^ ^^^^^^ ^,„i,dthe idea…

Architecture · Architecture, Gothic

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