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History of mediæval art (1893)

Reber, Franz von, 1834-1919, Clarke, Joseph Thacher, d. 1920 · New York : Harper & Bros. · leaf 709

An illustration from History of mediæval art, 1893, leaf 709
whoworked late in the fifteenth cen-tury.Archaism is more noticeable in the provincial works, as, for ex-ample, in those of the two masters of Mutina, Barnaba and Tom-maso {Fig. 409), not to speak of the paintings of the early schoolsof Venice and Murano, where Byzantinism was conscious and… … Fig. 409.—Madonna, by Tommaso da Mutina.Belvedere, Vienna. ITALY. 675 no technical dualism. The delicacy of his numerous easel-pieces,and their coloring, clear and cheerful, though somewhat cool, and attimes too variegated, distinctly betray his preference for this branchof painting, and even for…

Art, Medieval

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