Muther, Richard, 1860-1909 · London : J. M. Dent; New York, E. P. Dutton · leaf 140
hiscold pathos, the counterpart to that of the orators line sentiments setforth in fine phrases. The great distinction between the beginning of modern art in Germanyand in France is that in France the new style was not only called forthby the influence of a scientific programme from outside, but… … THE OATH OF THE HORATII. but with the free expression of the characteristically modern spirit. Germanart had no new pronouncement to make through the medium of the antique ;it followed, on the other hand, the programme of an artistically barrenscholar who forgot that archaeology is not art,…
Painting
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