Muther, Richard, 1860-1909 · London : J. M. Dent; New York, E. P. Dutton · leaf 164
ut of the livingspirit, once more had a soul. Even the much-despised conversion of theProtestants among them to the Catholic Church arose out of thedeep conviction that they also, as well as their art, must be united in^religion. In a certain sense they even show an advance in art. They… … THE DEPARTURE OF THE PKOUICjAl. bi.i.\. Nazarenes no longer saw the highest aim of painting in black and whitedesign, but turned, tliough with timidity and hesitation, to the study ofthe Italian Quattrocento with its joyous delight in colour, and so becamevol.. I.—9 130 THE HISTORY OF MODERN…
Painting
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