Muther, Richard, 1860-1909 · London : J. M. Dent; New York, E. P. Dutton · leaf 214
he doctrine, that in works of artwhat is important is not the quantity of learning displayed therein, but thequality of the feeling exhibited. With all their inequalities, all their incorrect-ness, all their weak points, they are inspired, sung, dreamed, and not puttogether in cold blood according… … SCHWIND. FROM THE WARTBURG FRESCOES. 1/8 THE HISTORY OF MODERN PAINTING of connection between the moderns. He was no imitator, no soulless calli-graphist performing laborious school exercises after tlie manner of the oldmasters ; he spoke the language of his time. He was one of the first who at…
Painting
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