Muther, Richard, 1860-1909 · London : J. M. Dent; New York, E. P. Dutton · leaf 224
tic, romantic submersion in waves ofold-time feeling and a charming youthful fervour. They do not study him inorder to faint like him. Our heads are full of poetry, but we cannot give it expression, are thewords with which Cornelius himself characterised this period. Germany hadoriginal geniuses… … Aliett, Hello.RUBEZAHL. Yet one i86 THE HISTORY OF MODERN PAINTING the air ; in its Kaulbach-like cloud-heights it had melted away to a shadow,only to fall again, somewhat roughly, to the ground. It died of an incurabledisease—idealism. The painters of that time, one and all, had never becomereal…
Painting
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