Muther, Richard, 1860-1909 · London : J. M. Dent; New York, E. P. Dutton · leaf 346
ovement, and the Brussels Salon of 1836 concentrated their efforts. Nicaiscde Keyzer made his appearance in heavy armour. As early as 1834 ^^^ hadcome forward with a great picture, a Crucifi.xion, in which he desired to compete HISTORICAL SCHOOL OF PAINTING IN BELGIUM 305 with Rubens, as it seemed,… … WAPPERS. Ih-uyllaiit, /lnisSL-/s. THE SACRIFICE OF BURGOMASTER VAN DER WERFF AT THE SIEGE OF LEYDEN. the same fashion. Consciously or not, he had copied fragments direct, andwelded them together in a new composition. If, in spite of this, the name ofde Keyzer already flew from mouth to mouth, he…
Painting
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![An illustration from Tapestries and carpets from the palace of the Pardo [sic], woven at the royal manufactory of Madrid, loaned by His Majesty the King of Spain for exhibition by the Hispanic Society of America (1917)](https://img.insideoutlibrary.com/img/200/ia-tapestriescarpet00hisp-56-24.webp)