Muther, Richard, 1860-1909 · London : J. M. Dent; New York, E. P. Dutton · leaf 396
the loveliest formwith the expression of the holiest suffering, the sweetest reverie, the deepestdevotion, and the most rapt ecstasy. And if later, when people could notweary of this expression, he took to producing it without real feeling and bypurely stereotyped means, that is, at any rate, a… … Unn/stallf;!. E spirits greeting. 356 THE HISTORY OF MODERN PAINTING be said. He has often under-lined too heavily, printedtoo much in italics, anddone more homage to crudethan to fine taste. But hehas, in advance of his con-temporaries, in whose worksthe good was so seldom new,the priceless virtue…
Painting
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